Sep 28, 2007. Read the Empire review of Ratatouille. Find out everything you need to know about the film from the world's biggest movie destination. How to Train Your Dragon is a computer-animated action-fantasy film by Dream Works Animation based on the British book series of the same name by Cressida Cowell. The film was directed by Chris Sanders and Dean De Blois, the duo who directed Disney's Lilo & Stitch. It stars the voices of Jay Baruchel, Gerard Butler, Craig Ferguson, America Ferrera, Jonah Hill, T. Miller, Kristen Wiig, and Christopher Mintz-Plasse. The film was released March 26, 2010 and was nominated for the Academy Award for Best Animated Feature and Best Original Score at the 83rd Academy Awards, but lost to Toy Story 3 and The Social Network, respectively. The movie also won ten Annie Awards, including Best Animated Feature. He is scrawny, he is nerdy (he has a knack for invention), and he is so clumsy that he gets in the way of how most of his fellow Vikings spend their time to fighting dragons. To make matters worse, Hiccup’s father Stoick (Gerard Butler) is the chief of the village and the best dragon-slayer around. In an effort to prove himself to everyone, Hiccup uses a bola-catapult to bring down a dragon, but no one sees it. He sets off to find the felled dragon only to discover it’s still alive, but captured in the ropes of the bola. Unable to bring himself to kill the creature, Hiccup begins training the dragon-who he names “Toothless” due to the dragon’s retractable teeth-and discovers that they’re not the violent predators they’re made out to be by Viking lore.
You have not yet voted on this site! If you have already visited the site, please help us classify the good from the bad by voting on this site. F science were ever able to blend Monsieur Hulot with an orthopaedic mattress, the result would be something like Baymax. The indisputable star of Big Hero 6, the latest film from Walt Disney Animation Studios, is a ten-foot-tall inflatable robot who’s impeccably well-mannered at all times, even though he and the world at large are not quite mutually compatible. Squeezing through human-sized spaces involves much careful shuffling and stooping, and sometimes a partial deflation. In one scene, while edging through his 14-year-old owner’s bedroom, his bottom sweeps the bookshelf clean. It’s this kind of old-fashioned physical comedy – unfussily staged, meticulously timed, and, crucially, uproariously funny – that underpins what’s probably the most visually extravagant and hi-tech animation Disney has produced to date. Big Hero 6, which is based very loosely on a defunct Marvel Comics series, is pitched as a cymbal-clash of eastern and western pop cultures – a rainbow-toned, up-to-the-microsecond story of superheroes and robots, set in a shimmering hybrid city called San Fransokyo. But it’s also a melding of old and new modes of animation, in which the tactile artistry of the past co-exists with the hyper-detailed, computer-generated present. Take Baymax’s face: a white oval with two small eyes in the middle, connected by a stripe.
Contoh Review Text Film - Setelah mendapatkan penjelasan mengenai apa itu Review Text, pada kesempatan kali ini penulis hadirkan dua Contoh Review Text tantang film. Sebagaimana kita ketahui sebelumnya, Review Text tidak semata-mata digunakan hanya untuk me-review film saja, tapi juga bisa digunakan untuk me-review buku, barang, His single's lyrics are optimistic, catchy and sweet; moreover, his fans can easily relate to the song's hopeful message. "I'm only one call away, I'll be there to save the day, Superman got nothing on me, I'm only one call away," Puth sings, in the opening verse. Overall, "One Call Away" displays Charlie Puth's growth and maturity as a singer-songwriter, as well as his ability to find his unique sound. It deserves to climb up the Billboard Hot 100 charts, and it garners 4.5 out of 5 stars.
Contoh Review Text Laskar Pelangi Dalam Bahasa Inggris Beserta Artinya Lengkap Contoh Review Text Laskar Pelangi Dalam Judged by this first volume, the Harry Potter books are a fine addition to English children’s fantasy literature. Harry Potter, orphaned when his parents are killed by the evil wizard Voldemort, is taken in by his aunt and uncle, who are Muggles – ordinary, non-magical people. Harry is rather out of place there, but things improve greatly for him when goes to the Hogwarts School of Witchcraft and Wizardry – except that one of the staff is in league with Voldemort. Part of the attention of Harry Potter and the Philosopher’s Stone comes from the familiar but at the same time exotic setting of an English public school, complete with houses and schoolboy adventures, in which Harry and his friends Ron and Hermione struggle to save the world and win the house cup. So Harry Potter and the Philosopher’s Stone will be a great Christmas present for kids who haven’t read it yet – and it is a book that adults (at least those without stunted imaginations) can read as well.
Dec 12, 2017. In 2001, Chris Columbus released Harry Potter and the Sorcerer's Stone, based on the 1997 novel Harry Potter and the Philosopher's Stone by J. K. Rowling. Starring Daniel Radcliffe, Rupert Grint, Emma Watson, John Cleese, Robbie Coltrane, Warwick Davis, Richard Griffiths, Richard Harris, Ian Hart. Review text is an evaluation of publication, such as a movie, video game, musical composition, book; a piece of hardware like a car, home appliance, or computer; or an event or performance, such as a live concert, a ply, musical theater show or dance show.
Feb 19, 2015. If science were ever able to blend Monsieur Hulot with an orthopaedic mattress, the result would be something like Baymax. The indisputable star of Big Hero 6, the latest film from Walt Disney Animation Studios, is a ten-foot-tall inflatable robot who's impeccably well-mannered at all times, even though he. Describe the plot of Ratatouille to most and they’ll likely turn up their nose as if assaulted by a bad smell. Even amongst the Hawaiian-shirted big brains of the Pixar think-tank, Brad Bird is taking on an auteurish hue for the fabulousness of his creations (The Incredibles being the last). Couldn’t we make it a giraffe who wants to play golf, or a hippo who dreams of being a stunt-hippo, or a gerbil who aspires to play lead guitar in a heavy-metal band (please note, second-tier animation studios - these concepts are copyright Empire)? It may be Pixar’s masterpiece, but why quibble over niceties when they keep delivering stories this rich? After five minutes of Ratatouille you start getting excited about the time when you can buy it on DVD to use as life therapy, like a soothing bath or a dose of Librium. He remains intent on interpreting the foibles and grace notes of the species to which he belongs, even if it is through the medium of a rat. A complicated state of affairs, especially when fate washes the talented rat into Paris, right next door to the late Gusteau’s classy eatery, currently suffering a downturn in fortune. His latest quest is to decipher the soul of an artist who rises from the lowliest place: quite literally the sewer. Vulpine food critic Anton Ego (a character designed with Peter O’Toole’s Gothic tonsils fully in mind)has been less than favourable, but Remy is drawn to the bustling kitchen like a pilgrim to the Holy Land. Scampering fretfully among the whirling ladles, carving knives and angry spurts from the gas burners, his delicate nose sniffs out the insulting scent of compromised soup and he can’t help but risk life and paw to remedy the dish. The answer to his troubles is to go undercover, or under-toque, in cahoots with the supremely untalented new garbage boy Linguini (Lou Romano). Remy, not content to eat garbage like his brothers, has the very un-rat-like urge to soothe his palate with extraordinary tastes. Impeding his nascent greatness, apart from being a rat, are Gallicly tempered and vertically restricted head chef Skinner (Sir Ian Holm), and Remy’s sceptical rat-father (Brian Dennehy), who is determined he pursue more rat-like endeavours (like eating garbage). This presents Bird and his animators with an awkward challenge - how does their world actually work? Remy doesn’t talk: well, he does, but only in rattish, and it just so happens that we’re fluent. All this bumbling fool can make out are the tinny squeaks of rat-kind. He is a gourmand and, having spied the cooking programmes of famed but recently deceased Parisian chef Auguste Gusteau (Brad Garrett), is now entranced with the idea of creating transcendent meals that mix flavours like the giddy riffs of jazz. To confer the rat-chef’s talents to his goofy human sidekick, Bird goes one fictional step further, making Remy capable of operating a human being by tugging his hair follicles like puppet strings. It’s an inspired concept, transforming the cooking sequences into astonishingly animated slapstick homages to Mack Sennett, Buster Keaton and, in keeping with the French setting, herky-jerky French farceur Jacques Tati (a kind of proto-Bean), as Linguini is manipulated to concoct paradise in dish form. Appropriately, this is also a riff on Cyrano De Bergerac, replacing one large-conked poet’s adoration of his cousin Roxanne with a large-conked foodie’s adoration of haute cuisine; both being forced to use an imbecilic intermediary.
After being performed this song in 2011 BRIT Awards, ‘Someone Like You’ became her first number one single in Great Britain and survived on the top of the song. Identification of the work Identifies: The name of the creative work which is the subject of the review.· What kind of work it is (such as film, movie, novel, research investigation, books, cassette etc)· Its author(s), publisher or producer, and date of production. If you like a war film, "We Were Soldiers" is the film to see. The 400 US army fight with 2000 Vietnamese soldiers. It is starred by Mel Gibson and directed by Randall Wallace. Most of his troops are young men that are innocent to war. Even though he fails to take control the valley, he can show his loyalty to his country and to each other. Mel Gibson plays the leading role as Lieutenant Colonel Hal Moore. His mission is to seize a strategic valley named La Drang or the valley of death. when we go into the battle I will be the first to step on the field and I will be the last to step off. This multi-million production has some breathtaking scenes. The special effects and stunts are spectacular and create an atmosphere of tension. You will discover the answer to the above questions and many other fascinating questions when you take a journey through science history with Janice Van Cleave as your guide. This film is about American heroism in Vietnam war. Packed with fun facts, activities and experiments, Janis Van Cleave’s Science through the Ages introduces you to the amazing stories behind some of the greatest scientific discoveries of our time. Each chapter provides easy-to-follow instructions for hands on experiments, as well as clear explanation that reveal the many science has helped people- from ancient times right up through today! You will find out how to use Stone Ages tools to make art, build a simple telescope, look at your own blood vessels, construct a stethoscope, create a model of Galileo’s gas thermometer and much more. As with all of Janice Van Cleaves’s books, the contents or materials are safe, inexpensive and easily found around the house. So take a time traveling tour of discovery and get ready for hours and hours of fascinating science fun at home or in classroom.
Nov 6, 2014. BIG HERO 6 is a very good superhero movie, but it's a much better movie about loss and anger. You could say that the notion of turning beloved stories and characters into brands was invented by Walt Disney. He built his empire on the image of Mickey Mouse (who made his debut in 1928), but Disney really patented the brand concept in 1955, with the launch of Disneyland, where kids could see old familiar characters — Mickey! — in a completely different context, which made them new. Twenty-three years ago, the Broadway version of “Beauty and the Beast” (followed three years later by the Broadway version of “The Lion King”) introduced a different form of re-branding: the stage-musical-based-on-an-animated-feature. Now the studio is introducing a cinematic cousin to that form with the deluxe new movie version of “Beauty and the Beast,” a $160 million live-action re-imagining of the 1991 Disney animated classic. It’s a lovingly crafted movie, and in many ways a good one, but before that it’s an enraptured piece of old-is-new nostalgia. There’s a lot riding on “Beauty and the Beast.” Given its sheer novelty value (the live-action “Cinderella” released by Disney in 2015 wasn’t really cued to the 1950 cartoon version), the picture seems destined to score decisively at the box office. But the larger question hanging over it is: How major — how paradigm-shifting — can this new form be? Disney already has a live-action “Lion King” in the works, but it remains to be seen whether transforming animated features into dramas with sets and actors can be an inspired, or essential, format for the future. Going into “Beauty and the Beast,” the sheer curiosity factor exerts a uniquely intense lure. The answer, at different points in the film, is yes to all three, but the bottom line is this: The new “Beauty and the Beast” is a touching, eminently watchable, at times slightly awkward experience that justifies its existence yet never totally convinces you it’s a movie the world was waiting for.
Mar 3, 2017. Disney's live-action remake of its 1991 animated classic is a sometimes entrancing, sometimes awkward mixture of re-creation and reimagining. F science were ever able to blend Monsieur Hulot with an orthopaedic mattress, the result would be something like Baymax. The indisputable star of Big Hero 6, the latest film from Walt Disney Animation Studios, is a ten-foot-tall inflatable robot who’s impeccably well-mannered at all times, even though he and the world at large are not quite mutually compatible. Squeezing through human-sized spaces involves much careful shuffling and stooping, and sometimes a partial deflation. In one scene, while edging through his 14-year-old owner’s bedroom, his bottom sweeps the bookshelf clean. It’s this kind of old-fashioned physical comedy – unfussily staged, meticulously timed, and, crucially, uproariously funny – that underpins what’s probably the most visually extravagant and hi-tech animation Disney has produced to date.
Rhymes of the Times By Harold Matthew Nash Reviewed by John Lehman I particularly liked the first few pagesof this book where the poet acknowle. A book review is a descriptive and critical/evaluative account of a book. It provides a summary of the content, assesses the value of the book, and recommends it (or not) to other potential readers. A book report is an objective summary of the main ideas and arguments that the book's author has presented. The purpose of the report is to give enough information to help decide whether the book will be of use or interest to any potential readers. Common points that Give the author's name; full title of book including subtitle; editor, if any; place, publisher and date of publication; edition, if necessary; and the number of pages - all this in the appropriate bibliographical style (APA, MLA, Chicago, etc.) under the title of the review or report. Supply any information about the author which shows their credentials for writing in this field or which reveals any influences which may have affected the author's point of view. Note any interesting circumstances that led to the writing of the book. The author's intention may be apparent by the way the subject of the book is treated.
REVIEW TEXT ANALYSIS NO 1 PARTS OF GENERIC STRUCTURE Orientation TEXT The Lord of the Rings is a fairy-tale of myth and fantasy. Peter Jackson directed a film that was considered, for a very long time, impossible to make, and Represents contemporary Disney at its finest — a vibrantly rendered adventure that combines state-of-the-art CG animation with traditional storytelling and colorful characters, all enlivened by a terrific voice cast. Drawing upon the folkloric cultures of the Pacific Islands, this tale about a self-possessed teen who embarks on a quest to save her home turf from looming extinction required the proven talents of two teams of directors to tell its story: Ron Clements and John Musker ( Even though she has felt the call of the ocean ever since she was just a small child, spirited Moana (impressive newcomer Auli'i Cravalho) has been forbidden by her father, Tui (Temuera Morrison), the chief of the village of Motunui, to travel beyond the reef that surrounds their island. In many ways she’s a kindred spirit of Belle, who also contended that there must be more than her provincial life. But when a dire ecological occurrence threatens their future, Moana defies her father’s wishes, setting out into the uncharted waters to undo a curse visited upon her people after Maui, the demigod of the wind and sea, stole the heart of Te Fiti, the mother island (a sort of goddess from whom all other islands sprung). Accompanied on her excursion by Heihei (Alan Tudyk), a rainbow-colored chicken who definitely isn’t the brightest bird in the flock, Moana soon comes face to face with Maui (Dwayne Johnson), who turns out to be more like a charismatic rocker/lost-boy type than a feared semi-deity.
Oct 2, 2014. The most shocking thing about Annabelle, the haunted doll prequel to The Conjuring, is that a major Hollywood studio is releasing it. The film looks to have cost about 200 bucks and is agonizingly short on incident, character or reason to exist. It opens well enough; a young couple is expecting their first. You could say that the notion of turning beloved stories and characters into brands was invented by Walt Disney. He built his empire on the image of Mickey Mouse (who made his debut in 1928), but Disney really patented the brand concept in 1955, with the launch of Disneyland, where kids could see old familiar characters — Mickey! — in a completely different context, which made them new. Twenty-three years ago, the Broadway version of “Beauty and the Beast” (followed three years later by the Broadway version of “The Lion King”) introduced a different form of re-branding: the stage-musical-based-on-an-animated-feature. Now the studio is introducing a cinematic cousin to that form with the deluxe new movie version of “Beauty and the Beast,” a $160 million live-action re-imagining of the 1991 Disney animated classic. It’s a lovingly crafted movie, and in many ways a good one, but before that it’s an enraptured piece of old-is-new nostalgia.